Context
Baraka and his contemporaries show distinctly modernist trends in their works, which are also distinctly colored by the Civil Rights Movement era through which they lived and in which many -- including Baraka himself -- began their literary and intellectual careers. Baraka's own upbringing as the son of relatively well-off African-American parents, his experiences in higher education and in the military, and the details of his later life and relationships all had profound effects on his writing and his concepts of selfhood as an African-American male. In a very direct manner, this thesis will be focused on exploring the context of Baraka's work in order to more clearly understand his theories on race...
In fact, he identified himself entirely with it, even in his own self-reflection. In the reflective poem "leroy," published in 1969 under his newly adopted name Amiri Baraka, a nostalgic comment on his mother becomes a lofty vision of himself as the bearer of black wisdom -- that "strong nigger feeling" (5) -- from his ancestors forward to the next generation. He refers to this legacy that he is
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